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Media & Communications · Data Science · Visual Design

ABDUL PORTFOLIO

Future Data Scientist · UI/UX Designer · Visual Storyteller

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ABDULRAHMAN MEDIA & COMMS · 2025
// PROFILE.DATA

ABOUT ME

Hey, everyone! My name's Abdulrahman and I'm a 20-year-old student from Saudi Arabia studying in Australia.

When I'm not in class, you'll probably find me gaming (Bayonetta 2, Cyberpunk, or Silent Hill 2) or listening to bands like Linkin Park and Evanescence. I also have a massive passion for visual storytelling, filming, and photography. Before this year, I thought I already knew how media worked because of past projects and friends in the industry. I was wrong! This course completely changed my perspective. It pushed me to try new things, like writing newsroom articles, properly framing camera shots, and producing my own podcasts. In fact, these new skills inspired me to start working on my own directing project right now. Here is a digital portfolio of some projects I've accomplished during my time at Trinity College. I hope you enjoy it!

3+Core Skills
Ideas
2026Active
// PROJECTS.DIR

PROJECTS

Click to play podcast
FEATURED // PODCAST

TRINITY NEWSROOM PROJECT PODCAST

As part of our coursework, I worked with Blue Jen and Sept to record a podcast segment for the Trinity News Room on 90.7 FM. The purpose of this audio piece was to examine the intense pressure international students face regarding success and mental health. 2. Target Audience/s The target audience is international students aged 17 to 25 of all genders. They are currently in tertiary education and come from varied socio-economic backgrounds. We targeted this demographic because they deal directly with this specific academic burnout. 3. Contributions and Challenges Working as the segment host, my main contribution was introducing the show and guiding the conversation. This task brought out my strength in verbal communication. But I had a major weakness. I really struggled to actively listen. I often just waited to read my next scripted question instead of engaging. 4. Key Learning Point/s Producing this podcast taught me how audio media builds intimate, relatable discussions. Next time, I would definitely rely less on my notes and ask more spontaneous follow-up questions to deepen the conversation.

02
REAL LIFE  ·  FEB 2026  ·  NEWSROOM PROJECT
Happiness
on the
Menu
Why universities should teach happiness — and what one Yale professor's viral course says about what students really need.
Abdulrahman Alshehri et al.
READ ARTICLE
02 // ARTICLE

TRINITY NEWSROOM PROJECT ARTICLE 

As part of our coursework, I worked with my teammates, Blue Jen and Sept, to record a podcast segment for the Trinity News Room on 90.7 FM. The purpose of this audio piece was to closely examine the intense pressure international students face regarding academic success and their own mental health. Working as the segment host, my main contribution was introducing the show, posing questions, and generally guiding the flow of the conversation. This task really brought out my strength in verbal communication. But I had a major weakness. I really struggled to actively listen to the answers. I often just waited to read my next scripted question instead of actually engaging naturally. Producing this podcast taught me exactly how audio media builds highly intimate, relatable discussions without any visual distractions. It also sparked a genuine interest in audio production for me! If I did this again, I would definitely rely much less on my prepared notes and ask more spontaneous follow-up questions to naturally deepen the conversation.

03
Brand Map
⤢ EXPAND
03 // PHOTOGRAPHY

BRAND MAP

As part of our coursework, I designed a visual brand map poster. The purpose of this design was to explore my own identity by showcasing the specific companies I feel personally connected to. I chose Aramco to represent my Saudi roots, Steam for my love of gaming, and Kodak and Sony for my passion for photography. I even included Linux because I appreciate simple, open-source software! Working as the sole creator, my main contribution was deciding the overall layout and selecting these brands. This project really highlighted my strength in honest self-reflection. But my weakness was definitely the graphic design itself. I kept the visual layout very basic. I only used plain text and simple lines instead of advanced formatting. Creating this map showed me how much the consumer brands we love actually communicate our personal stories. If I did this again, I would definitely spend time learning proper design software to make the visual layout look much more professional.

04
Movie Poster
⤢ EXPAND
04 // VIDEO

FILM MARKETING TASK: MOVIE POSTER 

As part of a generative AI experiment, I designed a theatrical movie poster for an original sci-fi film called "The Worm Turns". The purpose was to visually capture the dark, mysterious tone of the movie by placing the main character, Angela, in front of a massive black hole. 2. Target Audience/s My target audience is sci-fi fans aged 15 to 50, inclusive of all genders. They have secondary or tertiary education levels and come from varied socio-economic backgrounds. I targeted this demographic because they actively enjoy realistic, dramatic space stories. 3. Contributions and Challenges As the sole creator, I used Canva AI and ChatGPT to generate raw visual elements like the astronaut and alien, then manually combined them. My biggest strength was my creative vision for the cinematic layout. But my main weakness was the actual prompt engineering — I spent hours fighting text prompts just to get the background right. 4. Key Learning Point/s This project taught me how powerfully visual shadows communicate tension. Next time, I would study how to write highly specific AI prompts to avoid wasting time.

05
FILM MARKETING  ·  2026  ·  MEDIA TASK
FILM MARTKING TASK JUSTFICATION
Poster design rationale, target audience analysis, and placement strategies for a sci-fi film marketing campaign.
Abdulrahman Alshehri
READ TASK
05 // DATA

FILM MARKETING TASK

As part of our coursework, I developed a comprehensive marketing pitch and placement strategy for my sci-fi film, "The Worm Turns". The purpose was to determine exactly where to display promotional materials — like tram stops, theatres, and TikTok — to maximise audience reach. 2. Target Audience/s The target audience for this campaign is sci-fi fans aged 15 to 50 across all genders. They hold secondary or tertiary education levels and represent varied socio-economic statuses. I targeted them because the story features a relatable, stressed scientist rather than a wealthy superhero. 3. Contributions and Challenges Working as the sole strategist, I planned the entire physical and digital rollout. This task highlighted my strength in understanding real-world advertising placement. My main weakness, however, was completely ignoring the financial cost. I planned massive campaigns without considering how expensive tram stop ads actually are. 4. Key Learning Point/s This project taught me that even the best poster will fail if placed in the wrong location. Next time, I would research actual advertising budgets to make my strategy realistic.

Photography
⤢ EXPAND
06 // BRANDING

PHOTOGRAPHY PRESENTATION TASK

As part of our study on Film Language, I worked with my group mates, Wasayf and Lam, to put together a photography presentation. The purpose of this project was to showcase how different shot sizes and lighting angles convey meaning. I specifically captured two moody, nighttime photographs—one featuring a blurred figure on a dark road, and another showing a dimly lit city skyline. My main contribution was shooting these photos, editing our final iMovie presentation, and recording the voiceover. This project really highlighted my strength in video editing. But my time management was a major weakness. Trying to coordinate our nighttime shoots alongside editing the actual video pushed me constantly behind schedule. Creating this taught me how heavily film language influences the mood of a message without using any words. It also showed me the true value of group cooperation. If I did this again, I would schedule our editing sessions much earlier so we are not rushing the final iMovie cut

// REFLECTIONS.MD

OVERALL FINAL REFLECTION

// MY REFLECTION
Before this course, I genuinely thought I already had a solid grip on how the media worked. I had friends in the industry. I had even worked on a few small projects myself, from taking basic photographs to designing simple school presentations. But the most interesting insight from this subject was realizing how much of the underlying mechanics in the Media and Communications subject I was blind to. Media is so much more than just the funny videos I watch of people playing Cyberpunk or the promotional posters I scroll past every day on Instagram. It is built on codes, conventions, and highly intentional framing like the moody, nighttime photographs taken in the city and the movie poster design for The Worm Turns.But a significant issue I had not realised until now is that I was only ever looking at the surface of the content I consumed. I never questioned how a shot was lit in movies like Interstellar or why a movie advertisement was placed at a specific tram stop. I now realise that true media literacy means understanding the hidden mechanics behind every single soundbite, text font, and design choice to deliberately generate interest, convey specific messages, and connect with a target audience.Throughout this journey at Trinity College, I pushed myself to try completely new platforms and formats including generative AI design tools like Canva and ChatGPT. This experience is relevant to me because it took me entirely out of my comfort zone with how I traditionally relied on simple templates or just casually consumed media. For instance, I used to find audio production intimidating because the idea of structuring an entire segment using just voices without any visual distractions seemed incredibly difficult. But working with Blue Jen and Sept on our "Happiness on the Menu" podcast segment sparked a genuine passion for audio storytelling. I loved the smooth production process of guiding a deeply relatable conversation about international student burnout. It felt amazing to build an intimate conversation on the Trinity News Room on 90.7 FM from scratch. This reminded me of the idea that media does not always need flashy visuals to connect with an audience. A possible implication could be that simple, raw conversations are sometimes the most powerful way to share a message when you want an audience to feel truly heard and understood.Of course, I faced some major challenges along the way. My time management was a huge weakness. Trying to juggle the heavy reading for the newsroom article alongside shooting our PR video ad pushed me to my absolute limit. I felt overwhelmed with the massive workload as it completely drained my energy and made it hard to focus. I also had to coordinate nighttime shoots in order to achieve the dark, moody lighting required for my photography presentation with Wasayf and Lam, which constantly put us behind schedule as it was difficult to align everyone's availability late at night. On top of that, I struggled heavily when designing my film poster for The Worm Turns. I fought constantly with Canva AI and ChatGPT text prompts just to get the background black hole exactly right. But having realised the importance of visual storytelling, I can now understand exactly how to combine different elements manually to build a cohesive cinematic layout.This experience will change the way I view my own limits and deadlines. Being able to see my struggles in this way is extremely valuable for me because it forced me to adapt and grow as a creator who is much more resilient and prepared for the reality of media production. Moving forward, I will apply these critical media literacy skills to my own personal directing and podcast projects, making sure to manage my stress by spacing out my production schedules much earlier.
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